I sculpt the spirit, the energy folded within the layers of life. Through light and transparency, I seek to unveil emotions and suspended memories that dwell beyond the visible. My practice emerges from the desire to give form to what cannot be seen yet can be felt: the subtle vibration that connects us to the world, to others, to ourselves.
Each piece is an alchemical essay, a process of transformation where matter becomes a vessel for inner resonance. I explore how glass, feathers, and textiles can contain and transmit fragility, vibration, and metamorphosis. By weaving these elements together, I create dialogues between the ethereal and the material, the sacred and the tangible, the transient and the eternal.
My work is inspired by the twelve stages of spiritual alchemy, a journey toward what the alchemists called the Opus Magnum, the Great Work. Each exhibition unfolds as a chapter in this ongoing process of purification and ascent, an exploration of a distinct phase in the evolution of consciousness. In the stage where I now stand, I seek to engage with the essential, the subtle matter of being that underlies all transformation.
Glass, delicate yet enduring, mirrors the fleeting nature of existence. Feathers, recurring symbols across cultures, bridge sky and earth, strength and refuge. I am drawn to materials that embody duality: transparency and density, fragility and permanence, silence and resonance.
It reminds me that matter invites detachment, while what is elevated endures beyond it.
My research is nourished by mysticism, hermetic thought, and esoteric traditions. In a digital world that dazzles yet often lacks depth, I aim to recover what is vital, to offer the immaterial a body, allowing it to become a trace, a memory, a vessel of awareness.
My sculptures awaken in the presence of the viewer: they vibrate, breathe, and move in quiet dialogue with whoever approaches. They are fragments of a spiritual cartography, a map of remembrance, an ongoing search for the unseen made tangible.